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19-China

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Вангелис снова показывает большую гибкость, комбинируя восточные влияния со своими собственными подходами и методами. На скрипке играет Michel Ripoche, ранее участвовавший в записи альбомов «Hypothesis» и «The Dragon».

К альбому был сделан рекламный клип, показывающий комбинацию фрагментов альбома с изображением Вангелиса, работающего в своей студии в Лондоне.

 

Description:

China is a 1979 album by the Greek artist Vangelis. Although he had never been to China, he employed Chinese instruments and compositional styles on this concept album.

Vangelis plays synthesizers, drum machines, electric piano ("The Tao of Love"), piano ("The Great March", "The Plum Blossom", "Himalaya"), various Chinese flutes and plucked string instruments. Featured artists are Michel Ripoche (violin on "The Plum Blossom") and Yeung Hak-Fun and Koon Fook Man (narrative on "The Little Fete").

China was engineered by Keith Spencer-Allen, Raphael Preston, and Andy Hendriksen, and the album sleeve was designed by Vangelis himself.

The album was conceived during a very active period in Vangelis' recording career, during which he explored the possibilities of electro-acoustic composing. Vangelis employs his synthesizer arsenal to the fullest, generating sound effects (steam locomotive on "Chung Kuo") and various Chinese-sounding patches on all tracks.

Concepts used range from classical Chinese poetry ("The Little Fete" is a poem by the 8th century Li Po, translated by J.C. Cooper) to revolutionary history of the People's Republic of China ("The Long March").

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China was one of the albums I played to death during my seminal 'Rites of Passage' years between the ages of 16 and 19. It is a superb blend of techno keys and traditional chinese music with some stirring atmospheric tracks. Himalya and Summit capture what must be an awesome feeling of standing above the cloud base atop a snow peaked mountain. Forget Chariots of Fire and all the populist tracks that he produced in the late 80's and early 90's ... this is the real Vangelis at his best. Having now replaced the vinyl with cd ... it is once again being played religiously.

 

Jahr: 1979

Album: China

Artist: Vangelis

Recorded: Nemo Studios, London

Genre: New Age, Electronic, Soundtrack

Grцsse: 57,1 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 41:17

 

Tracklist:

1. "Chung Kuo" – 5:31

2. "The Long March" – 2:01

3. "The Dragon" – 4:13

4. "The Plum Blossom" – 2:36

5. "The Tao of Love" – 2:44

6. "The Little Fete" – 3:01

7. "Yin & Yang" – 5:48

8. "Himalaya" – 10:53

9. "Summit" – 4:30

 

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http://rapidshare.com/files/139465255/09-China__1979_.rar

 

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China_1979_.rar - http://gigapeta.com/download/new/d360e105c6


 

Format | Bitrate: APE | lossles | 190 mb | 41:34 min

 

China_ape.part1.rar - http://gigapeta.com/dl/57423a17f140

China_ape.part2.rar - http://gigapeta.com/dl/57424af95de6

China_ape.part3.rar - http://gigapeta.com/dl/57429a1423fb

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20-Magic

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Работа совместно с Демисом Руссосом

 

Description:

At original release on LP the album featured slightly different songs lists in different countries. Part of this was caused by the success of 'Because', which Demis ultimately recorded in seven (!) different languages. Other songs (like Bambina, Margarita and Sister Emilyne) were later also released in the French and Spanish language.

Vangelis arranged and produced most of the songs on the album, as well as composed a few songs, which gives the entire album 'the Vangelis touch'.

After working with Vangelis on Patty Pravo's album 'Tanto', and Riccardo Cocciante's album 'Concerto per Margherita', Guy Protheroe conducts the English Chamber Choir on this album as well.

 

Jahr: 1977

Album: Magic

Artist: Vangelis&Demis Roussos

Genre: New Age, Electronic

Grцsse: 59,3 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 43:14

 

Tracklist:

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* Mourir Aupres De Mon Amour (Because)

* Time And Tide

* Maybe Forever

* My Face In The Rain

* I Did You

* Margarita

* Let It Happen

* Bambina

* Day - 0

* Sister Emeline

* Before The Storm

 

Без бонус-треков, указанных на обложке

 

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21-Odes

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Оригинальное собрание старинных византийских и традиционных греческих народных песен. Этот альбом «Ирэн Папас и Вангелис» содержит песни на традиционные греческие тексты, в частности, о греческом сопротивлении Оттоманской Империи (конец 18 – начало 19 столетия). Вангелис и Ирен Папас (фильм "Океан" исполняют песни на современный лад. Кроме того, для альбома ими были написаны две собственных песни («La Danse Du Feu» и «Racines»).

Вангелис аккомпанирует на синтезаторах.

 

Description:

Greek performer Irene Papas is renowned both as a singer and as an actress. She made fame with acting in movies as "The guns of Navarone" (1961), Michael Cacoyannis' "Zorba the Greek" (1964) and Costa-Gavras "Z" (1969). One of her last parts as an actor she played a role in the movie "Captain's Corelli Mandolin" (2001). Also, together with her husband director Michael Cacoyannis she created many films based on the original plays of Euripides, namely "Electra" (1960), "Trojan Women" (1971) and "Iphigenia" (1976). Apart from movies Irene has directed many Greek plays staged in theatres, more recently "Las Troyanas" (2001) in Sagunto (Spain), "Ecuba" (2003) in Rome (Italy) and "Antigone" (2005) in Syracuse (Sicily, Italy). She is currently president of three acting schools, the "City of the Scenic Arts" of Sagunto, the "Tor Vergata" of Rome and the "To Skolion" of Athens.

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On ‘Odes’ Vangelis teams up again with an old friend who'd worked with him before on the Aphrodite's Child album '666'. All songs Greek actress Irene Papas sings on this album are Greek traditionals to which Vangelis adds two instrumental tracks. ‘Odes’ is one of the very few projects Vangelis has been involved in that also has any sort of literary component. Greek author turned politician Arianna Stassinopoulos, who wrote books on Maria Callas and Pablo Picasso, contributes some poems and texts along with Irene Papas, which are printed in the booklet. The latter wrote a few rather dramatic introductory lines, in which she relates how the songs were always with her from childhood, how they reflect the emotions and common destiny of the people in the communities in which they survive across time and place. This folk music is rather austere but quite evocative and uses mostly those typically Mediterranean modal harmonies. Vangelis on the whole makes sparing use of his instruments with Irene Papas sometimes even singing on her own or accompanied by a single melody-line. She hasn't got a great voice, a bit like that of Marianne Faithfull, but it’s quite effective and suits this music. And of course she speaks Greek so is able to really ”act out” the songs.

The heroic opening track is about an army of youthful freedom fighters on their way to war. It has a few equally dramatic outbursts by Vangelis plus a few exchanges between a little choir representing the youths and Irene Papas representing an old man they meet along the way, set to marching music. The slow lyrical piece that follows is about the fading colors of a tired old orange tree, presumably symbolizing the tragic plight of Greece during occupation. ‘La Danse du Feu’ is the first of the Vangelis composed instrumental pieces. After a fast intro it settles down to a more lyrical mode where Vangelis again uses that deeply expressive vaguely Arab bass-sound also employed on his album 'Earth', to great effect. ‘Kolokotronei’ refers to a famous family in Greece’s history and is again a slow lyrical song, this time sung a cappella by Irene Papas, with Vangelis making it sound like she sings it in a church, using lots of echo. ‘Le Fleuve’ has a more persistent rhythm to go with the poem about the river of life and some beautiful flowing instrumental passages. ‘Racines’ (meaning ‘roots’) is the second instrumental composed by Vangelis and longest track on the album. It consists of a sequence of slightly bluesy keyboard-solos using alternatively a flute-like sound and the same bass-sound as in the first instrumental, set against a slow sequencer-pattern. The two ladies wrote a few accompanying lines about Vangelis remembering all sorts of impressions which go into his music, a bit like his own text in the booklet for Mythodea. The title of the penultimate track ‘Lamento’ speaks for itself, a tragic atmosphere is set up by low string sounds and long suffering notes, again with flute and bass keyboard-solos by Vangelis. In contrast, the last track is more upbeat although the song apparently relates a tale of Menousis defending his honor against other men by killing his wife. Vangelis plays along with the tune and adds some simple percussion, and the little choir also makes a brief return.

Vangelis has stated he made this album to ”resurrect” these songs which were in danger of becoming dusty old museum pieces and that consequently it became quite a popular work in Greece, this at a time when he was still working far away in England. Maybe those more traditionally inclined would have felt this to be tampering with the original material, and one could say that the high-pitched sort of cosmic noises introduced in some tracks are a touch superfluous. Nevertheless, this must count as a tasteful and sincere work by three Greeks keeping the flame of their ancient culture burning.

 

Jahr: 1978

Album: Odes

Artist: Vangelis&Irene Papas

Genre: New Age, Electronic

Grцsse: 70,6 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 51:24

 

Tracklist:

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1. 40 Braves

2. Neranzoula (Le Petit Oranger)

3. Danse du Feu

4. Kolokotronei

5. Fleuve

6. Racines

7. Lamento

8. Menousis

 

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Odes_1978_.rar - http://gigapeta.com/download/new/acb4053a4b

 

Santorini - Vangelis - Irene Papas "Menousis"

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22-Sensitivity Plus Alpha (Live, Paris'78)

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Jahr: 1978

Album: Sensitivity Plus Alpha (Live, Paris'78)

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 97,3 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 57 minutes

 

Tracklist:

01-Reve

02-Lenfant

03-Mare Tranquilitatis 1, The Dragon

04-Pulstar

05-The Blum Blossom

06-Excerpt From 'LA FETE SAUVAGE'

07-Mare Tranquilitatis 2, Alpha

08-Spiral, Alpha (reprise)

 

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http://gigapeta.com/dl/38461a342d36

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23-London, 1979 (bootleg)

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Jahr: 1979

Album: London(bootleg)

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 82,5 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 74 minutes

 

Tracklist:

01-part-1

02-part-2

03-part-3

04-part-4

05-part-5

06-part-6'

07-part-7

 

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24-Opera Sauvage

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Третий альбом с музыкой для фильма о живой природе Фредерика Россифа. Содержит такие легендарные дорожки как «Hymne» и «L'Enfant».

Вообще альбом имеет хорошую мелодичность. Не в последнюю очередь благодаря Джону Андерсону, выступающему в несколько нетрадиционном амплуа: он не поет, а играет на арфе.

 

Description

Noted film composer Maurice Jarre scored the soundtrack to The Year of Living Dangerously, but the theme everyone remembers from that film is "L'enfant" by Vangelis. That track originally appeared on Opera Sauvage, a Vangelis album that slipped in under the radar just before he scored Chariots of Fire. The simple pentatonic theme of "L'enfant," with the piano chirping out the sparse melody over a two-note synthesizer ostinato, remains powerfully evocative. The cinematic expressiveness of "L'enfant" can be found on most of the music from Opera Sauvage, including the mournful "Hymne," the tremulousmore… "Mouettes" with its quavering thereminlike lead, and the surprising "Chromatique," one of the few times Vangelis uses an acoustic guitar. Perhaps the most surprising aspect of Opera Sauvage is that the entire album wasn't co-opted for soundtrack music. --John Diliberto

 

Jahr: 1979

Album: Opera Sauvage

Artist: Vangelis

Genre: Soundtrack, Electronic

Grцsse: 59,1 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 43 minutes

 

Tracklist:

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01-Hymne

02-Reve

03-L'enfant

04-Mouettes

05-Chromatique

06-Irlande

07-Flamants Roses

 

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http://rapidshare.com/files/144987263/03-O...ack___1979_.rar

 

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Opera_Sauvage_Soundtrack_1979_.rar - http://gigapeta.com/dl/38463a43a0c9

 

Vangelis - Hymne

http://youtube.com/watch?v=PFx3a7KfN0c&feature=related

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25-See You Later

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Этот странный альбом содержит очень много голосов (в т.ч. среди прочих Джона Андерсона и Питера Марша). Многие из вокалов были обработаны до странного звучания. В целом альбом отклоняется от общего стиля Вангелиса. Сильно напоминает пародию на музыкальный импрессионизм того времени.

 

Description

Everything you thought you knew about Vangelis and his music is totaly distroyed by this record. Gone are the warm sentiments, and in their place is something gritty and negative. But this must be Vangelis's most personal work and it is one of my favorites. For starters all the lyrics are written by Vangelis himself (a first), none of John Andersons's slushy lyrics but he does appear on vocals on a couple of tracks. This album is to Vangelis what 'The Wall' is to Pink Floyd and he does a good job of getting his own personal feeling's out in the open. Multi-Track Suggestion seems to highlightmore… what Vangelis believes as technology bloting out any sort of humanity the human race has left. Electronic teminology is used in his lyrics along with references of lost love. It seems that even though Vangelis acknowleges the use of technology in his music he belives that it will play a part in our downfall, a sort of 'Teminator' view of the future. I'm suprised this track wasn't a hit single in the U.K. because it would of gone well with the other synthpop tunes that were infiltrating the british charts at the time the album was released (1980) Suffication is inspired by a true-life event of a chemical leek at an Italian factory in the mid-seventies (yes!! I agree, very unlike Vangelis)the music is very upbeat, as are several of the other tracks, probably his most upbeat album since 'Albedo 0.39' and 'Spiral'. Vangelis seems to rely less on his usual selection of Orchestral sounds too with this work and there are some great sound effects and ambient noises added to the mix and is probably his most diverse work of the eighties until the realease of 'Direct'. 'I Can't take it any more' speaks for itself realy and the lyrics are performed through a vocoder that give them a sort of Kraftwerk 'robot' effect. This is a sinister track that would be used to great effect if played in the dark on halloween, spine-tingling. Everyone should know 'Memories of Green' beacause it was in the 'Bladerunner' movie that Vangelis scored. A moving piano piece that seems to tell a story of a lost time, of a lost way of life before modern times came along and spoiled everything. This album has some great musical ideas and effects, and stands as one of my favorits of Vangelis's because it shows a different side to the composer, very different and even though some of the lyrics are as confusing as a Nostradamus Quatrain (and some In foreign) they are totaly from his viewpoint. Subsequent equiry into the strange lyrics has opened my heart to this work even more. It's radicaly musicaly and lyricaly different to anything I've heard before.A gem.

 

Jahr: 1980

Album: Opera Sauvage

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 48,3 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 35 minutes

 

Tracklist:

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01-I Can't Take It Any More

02-Multi-Track Suggestion

03-Memories Of Green

04-Not a Bit - All Of It

05-Suffocation

06-See you Later

 

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Format | Bitrate: APE | lossles | 578 kbps | 165 mb | 39:55 min

 

http://gigapeta.com/dl/66040a2871bd

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26-The Music Of Cosmos

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Description

When the Cosmos TV series premiered on public television in 1980 its score consisted of a variety of music from all over the world. Considering the non-commercial scope of the series any music could be used, free of charge. The variety of the selected music ranged from classical and ethnical music, to Vangelis' and Jean-Michel Jarre's synthesized pieces taken from their seventies albums.

 

The liner notes of "The music of Cosmos" - Collector's Edition explain:

 

"The musical content of COSMOS seemed to create a message of it's own - almost as though it were the collective intelligence of the universe pleasantly calling our attention to the lessons at hand. [this]... expresses, simply and eloquently, our intentions in selecting music for the thirteen hours of the COSMOS television series. As with the golden phonograph record placed on board the Voyager spacecraft, bearing a sampling of "Earth's Greatest Hits", we included a variety of musical traditions and genres. Many hours were spent exploring the music of unfamiliar composers and performers, and considering how old favorites would enhance the thoughtful words and rich visuals of the series. Finding the music for COSMOS was in itself a voyage of discovery. We hope you will share in that experience, enjoy the music of this album and then sample the original works from which these pieces were excerpted. It was always our intention in COSMOS that the images and the music would be as important as the words, and that the series would speak to that part of us in which the heart and mind are one"

 

(Carl Sagan, Ann Druyan and Steven Soter)

 

Jahr: 1981

Album: The Music Of Cosmos

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 41,8 MB

Format | Bitrate: MP3 @ 128Kbps 44100Hz Stereo

LДNGE: 45 minutes

 

Tracklist:

01-Space-Time Continuum

02-Life

03-The Harmony Of Son

04-Exploration

05-Cataclysm

06-Affirmation

 

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27-Antarctica

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Этот альбом – саундтрек к японскому фильму. Обычно музыку строят вокруг сильной и известной темы из первой дорожки. В этом альбоме все по-другому. Каждая дорожка представляет собой нечто вполне самостоятельное.

Холод и очаровывающая атмосфера пронизывают этот блестящий альбом.

 

Description

Antarctica is the soundtrack to Koreyoshi Kurahara's film of the same name. Vangelis composed and performed all of the music. It is a very dynamic and dramatic set, but does not convey the iciness that listeners would expect. Conveying feelings of angst, isolation, and even desolation, it is actually very good music. It just does not feel like, well, the Antarctic.

 

Jahr: 1983

Album: Antarctica

Artist: Vangelis

Genre: Soundtrack, Electronic

Grцsse: 62,5 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 53 minutes

 

Tracklist:

01-Theme From Antarctica

02-Antarctica Echoes

03-Kinematic

04-Song Of White

05-Life Of Antarctica

06-Memory Of Antarctica

07-Other Side Of Antarctica

08-Deliverance

 

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Format | Bitrate: APE | lossles | 592 kbps | 230 mb | 45:29 min

 

Antarctica_ape.part1.rar - http://gigapeta.com/dl/57426a23f61d

Antarctica_ape.part2.rar - http://gigapeta.com/dl/57427aee602b

Antarctica_ape.part3.rar - http://gigapeta.com/dl/57425a42a7bd

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28-Chariots Of Fire

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Это – музыка к получившему Оскара одноименному фильму, снятому режиссером Hugh Hudson. Фильм посвящен истории о двух конкурирующих британских атлетах на Олимпийских Играх 1926 года.

Многое из музыки было повторно записано специально для диска, поэтому на диске многие композиции звучат гораздо более насыщенными, чем в фильме. Дорожка «Five Circles» была вообще переработана целиком.

Обратите внимание, что одна из дорожек диска («Jerusalem») не имеет к Вангелису абсолютно никакого отношения.

С фильмом также связан один очень неприятный скандал. Вангелис был официально обвинен в плагиате, в том, что он украл главную тему у другого греческого композитора, по имени Stavros Logarides. Состоялся судебный процесс, в результате которого суд пришел к выводу, что плагиата не было.

К Сиднейской олимпиаде 2000 года была специально выпущена ремастированная версия альбома с более высоким качеством звучания, чем оригинал.

 

Description

Most everyone is familiar with the romantic piano-and-synthesizer washes of the surprise instrumental hit "Titles (Main Theme)" from this 1981 film soundtrack. What is surprising is there's a lot more going on with this score. Greek keyboardist/composer Vangelis had been recording albums for years before this soundtrack catapulted him into fame. He'd even been asked to join the prog rock band Yes at one point. (He was wise to pass on the offer.) Here you can hear the breadth of his talent at creating dreamy moods with synthesizers and classically inspired backdrops. Some of this music, howevermore…, doesn't quite hold its own without the visuals. Anyone looking for a stronger, more rock-like record by Vangelis should pick up Albedo 0.39. --Larry Crane

 

Jahr: 1985

Album: Chariots Of Fire

Artist: Vangelis

Genre: Soundtrack, Electronic

Grцsse: 57,8 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 42 minutes

 

Tracklist:

http://pic.ipicture.ru/uploads/081019/9521/thumbs/37RUbP8H5C.jpg http://pic.ipicture.ru/uploads/081019/9521/thumbs/s0wCO4Ipsy.jpg

 

01-Titles

02-Five Circles

03-Abraham's Theme

04-Eric's Theme

05-100 Metres

06-Jerusalem [Not a Vangelis track]

07-Chariots of Fire

 

http://ipicture.ru/uploads/080802/9521/hUANWA431a.gif

 

http://ipicture.ru/uploads/080630/9521/Ic3NZfz2j7.gif

http://rapidshare.com/files/145000405/07-C...ack___1985_.rar

 

http://ipicture.ru/uploads/080616/9521/3Qsp53YijO.jpg

07_Chariots_Of_Fire_Soundtrack … - http://gigapeta.com/dl/38467a0789b0

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Format | Bitrate: APE | lossles | 632kbps | 189 mb | 41:52 min

 

Fire.ape.part1.rar - http://gigapeta.com/dl/57976a5df790

Fire.ape.part2.rar - http://gigapeta.com/dl/57977a41bfff

Fire.ape.part3.rar - http://gigapeta.com/dl/57978a710977

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