Vangelis | Collection | 1965-2008

[Boriss]

09-The Complete Collection (CD2) (1996)

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Jahr: 1996

Album: The Complete Collection

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 102 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 1:14:44

 

Tracklist:

01-Such a funny night

02-Annabella

03-Good time so fine

04-Funky Mary

05-Spring, summer, winter and fall

06-Air

07-Break

08-Babylon

09-The four horsemen

10-The lamb

11-The seventh seal

12-Aegian sea

13-Lament

14-The marching beast

15-Hic et nunc

16-All the seats were occupied

 

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09-The Complete Collection (CD2) (1996).rar - http://gigapeta.com/download/new/d5d699b7f2

[Boriss]

10-Ainsi Soit-il (1972)

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Совместная работа с Демисом Руссосом

 

Introduction

To support his success of 'Mourir Aupres De Mon Amour' in France, Demis Roussos recorded additional songs in French, and released the album 'Ainsi soit-il' The production of the album was done by Vangelis' brother Niko. This record is a compilation of some songs recorded for 'Magic', but with added French lyrics, as well as some new French songs.

 

Jahr: 1972

Album: Ainsi Soit-il

Artist: Vangelis and Demis Roussos

Genre: New Age, Electronic

Grösse: 55,5 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LÄNGE: 40:25

 

Tracklist:

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01-Such a funny night

02-Annabella

03-Good time so fine

04-Funky Mary

05-Spring, summer, winter and fall

06-Air

07-Break

08-Babylon

09-The four horsemen

10-The lamb

11-The seventh seal

12-Aegian sea

13-Lament

14-The marching beast

15-Hic et nunc

16-All the seats were occupied

 

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10-Ainsi Soit-il (1972).rar - http://gigapeta.com/download/new/74d64b6f1f

 

Démis Roussos - Ainsi soit-il

[Boriss]

11-L'Apocalypse Des Animaux (Soundtrack)

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Первый вклад Вангелиса в фильмы Фредерика Россифа, посвященные живой природе. Благодаря замечательному сочетанию живых и электронных инструментов этот альбом далеко опередил свое время. Акустические гитары и электрические фортепиано, круговые стереоэффекты, все это – там. Не исключено, что это был первый ньюэйджевый альбом в истории человечества.

 

Overview

This album is one of Vangelis' very earliest works, recorded whilst still a member of progressive rock band Aphrodite's Child. It also marks the first time that he collaborated with French director Frйdйric Rossif on soundtracks relating to his TV documentary programmes.

Though the album itself was released in 1973, the music was recorded in 1970. In oppostion to the way he later recorded soundtrack music - watching the filmed material, then composing to it - in this instance he simply recorded a suite of generic tunes (based on the wildlife theme of the project, but not having access to it) and left it to the film editors to splice-in whatever they needed.

The documentary contains much more music than is available on the album, a common theme with Vangelis soundtracks.

The music belongs to a period in which Vangelis was very prolific, and willing to experiment with technology and styles. Not only was he still part of a band, and collaborating with a variety of artists, but he had also created a soundtrack to the "adult" movie Sex power and completed two solo albums, Hypothesis and The Dragon.

Musically, the album is extremely melodic, with a minimum of rhythm-based compositions. The long, flowing lines of the major pieces are a precursor of ambient, and feature a style that became known as "cosmic", a variant of drone music. Most of the Krautrock artists also dabbled in this musical style.

 

Jahr: 1973

Album: L'Apocalypse Des Animaux

Artist: Vangelis

Genre: New Age, Electronic, Soundtrack

Grцsse: 48,7 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 35:30

 

Tracklist:

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01. (00:01:28) Vangelis - Generique

02. (00:06:01) Vangelis - La Petite fille de la Mer

03. (00:07:42) Vangelis - Le Singe Bleu

04. (00:03:07) Vangelis - La Mort Du Loup

05. (00:01:06) Vangelis - L'Ours Musicien

06. (00:10:08) Vangelis - Creation Du Monde

07. (00:05:59) Vangelis - La Mer Recommeencee

 

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L_Apocalypse_Des_Animaux_Soundtrack_1973_.rar - http://gigapeta.com/download/new/1f4d8abcea

[Boriss]

12-Earth (Bootleg)

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Альбом содержит песни в стиле «прогрессивный рок», с элементами эксперимента и синтеза, а также несколько очень красивых лирических мелодий, будто предсказывая их многочисленное появление в более поздних работах Вангелиса. В записи приняли участие музыканты Anargyros Koulouris и Robert Fitoussi. Вокал – Warren Shapovitch. Интересно, что в этом альбоме Вангелис сам обеспечил фоновый вокал на нескольких дорожках.

Многие годы спустя альбом был выпущен в Италии специальным изданием под названием «Superstar» с текстом на итальянском языке и фотографиями.

На CD альбом официально не выходил, за исключением релиза Polygram, предназначенного для продажи исключительно на территории Греции.

 

Jahr: 1973

Album: Earth (Bootleg)

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 54,2 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 39:29

 

Tracklist:

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01. Come On, We Were All Uprooted (09:06)

02. Sunny Earth, He-O (10:57)

03. Rithual (02:49)

04. Let It Happen, The City, My Face In The Rain (10:01)

05. Watch Out, A Song (06:35 )

 

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Earth_Bootleg_1973_.rar - http://gigapeta.com/download/new/90ef8f6313

[Boriss]

13-Heaven and Hell

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Первая запись, сделанная Вангелисом на студии «Nemo studio» в Лондоне. Некоторые части были записаны в полном беспорядке, когда записи выбрасывались и снова использовались на следующий день.

Вангелис создавал революционный звук, в пределах широкой концепции заголовка. Использование камерного хора и многочисленных синтезаторов дали неожиданное сочетание «синтеза и классики».

Альбом содержит одну из первых совместных работ Джона Андерсона и Вангелиса – песню «So long ago so Clear». Альбом быстро стал хитом британских чартов и стал первым серьезным коммерческим успехом в сольной карьере Вангелиса. Эта запись стала особенно известной после использования в сериале «Cosmos».

Здесь необходимо несколько замечаний. Существует голландский винил, который называется «De Mantel Der Liefde» и является саундтреком к фильму. Фактически, это не что иное как «Heaven and Hell», поскольку именно эта музыка была использована в фильме. Кроме того, существует винил «Vangelis Radio Special», который содержит часть этого альбома плюс интервью с Вангелисом. Наконец, существует еще японский вариант альбома, ремастированный по технологии «20bit». Предположительно, имеет более высокое качество.

 

Description:

Heaven and Hell, released in 1975, is the second solo album by Greek electronic composer and artist Vangelis. It got worldwide recognition through the use of ”Movement 3″ as the theme for the television documentary series Cosmos.

The album has classical overtones, occasionally branching into ethnic themes, in contrast with the progressive rock on both the previous and the following albums, Earth (1973) and Albedo 0.39 (1976) respectively. Vangelis would return to classical style work ten years later, on Mask (1985).

Heaven and Hell reached number 31 in the UK album charts in January 1976.

 

Jahr: 1975

Album: Heaven and Hell

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 59,6 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 43:26

 

Tracklist:

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1. ”Heaven and Hell (part one)” – 21:58

* includes ”So Long Ago, So Clear” – 4:58

2. ”Heaven and Hell (part two)” – 21:16

 

Older pressings of the LP had a more elaborate track listing (in parenthesis, even more details):

 

* Part One:

o ”Bacchanale” – 4:40

o ”Symphony to the Powers B” (Movements 1 and 2) – 8:18

o ”Movement 3″ (from ”Symphony to the Powers B”) – 4:03

o ”So Long Ago, So Clear” – 5:00

* Part Two:

o ”Intestinal Bat” – 3:18

o ”Needles and Bones” – 3:22

o ”12 O’Clock” (in two parts) – 8:48

o ”Aries” – 2:05

o ”A Way” – 3:45

 

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Heaven_and_Hell_1975_.rar - http://gigapeta.com/download/new/7e3c7a97ae

[Boriss]

14-La Fete Sauvage (Soundtrack)

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Альбом был записан всего лишь через три месяца после выпуска «Heaven and Hell». Это вторая работа с режиссером Фредериком Россифом в фильмах о живой природе.

Музыка включает много африканского пения и барабанной дроби, но некоторые дорожки имеют типичное звучание для музыки 1970-х.

Альбом был выпущен на CD во многих странах, однако будьте внимательны: наиболее распространенная версия этого диска, выпущенная в 1992 году содержит две дорожки, и вместо второй половины саундтрека к «La Fete Sauvage» содержит вторую половину саундтрека к «Ignacio».

 

Description:

La Fкte Sauvage is the most world music-oriented of his soundtracks for Frйdйric Rossif, compared to the mostly electronic/ambient/spacey L'Apocalypse des Animaux and the highly melodic "classic Vangelis sound" of Opera Sauvage.

The first part of the album features a mixture of electronics, percussion, animal sounds, and tribal chanting which is extremely evocative of the nature of the film project. The second part moves into more familiar Vangelis territory, with lush electronic soundscapes and sweet melodies, yet still well in keeping with the movie's themes.

The chanting and percussion was performed by a number of guest musicians whom Vangelis invited to his studio.

The documentary contains much more music than is available on the album, a common theme with Vangelis soundtracks.

 

Jahr: 1975

Album: La Fete Sauvage

Artist: Vangelis

Genre: New Age, Electronic

Grцsse: 52,9 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 38:34

 

Tracklist:

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1. "La Fкte Sauvage I" – 20:18

2. "La Fкte Sauvage II" – 18:12

 

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La_Fete_Sauvage_Soundtrack_1975_.rar - http://gigapeta.com/download/new/cc987cb6b1

[Boriss]

15-Albedo 0.39

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Очень известный альбом, намного опередивший свое время. Дорожки выполнены в разных стилях, от традиционной электроники (Pulstar, Alpha) до настоящего электронного синтеза с оркестровыми вспышками (Nucleogenisis 1 & 2), очаровательная заглавная дорожка с гипнотизирующим голосом, выдающим астрономическую информацию под фоновую космическую музыку.

Фрагменты этого альбома активно использовались в сериале «Cosmos».

 

Description:

Albedo 0.39 is an album by the artist Vangelis, released in 1976. It is a concept album around space and space physics. Albedo 0.39 was the second album produced by Vangelis in Nemo Studios, London, which was his creative base until the late 1980s. It contrasts with his previous album, Heaven and Hell, which was classically inspired and choral, while Albedo 0.39 has blues and jazz overtones. Nevertheless, both albums share a classic, 1970's aura of intense electronic majesty.

 

Vangelis plays all instruments. Although it is uncertain which synthesizers Vangelis employs on this album, other instruments include acoustic drums, bass, percussion, a xylophone, a gamelan (track 2) and recordings of the speaking clock (courtesy of Post Office communications) and the Apollo moon landing ("courtesy of NASA"). It appears Vangelis alternates synthesizer and acoustic basses on different tracks.

The only vocal is the narrative on the title track, which is uncredited. It was later revealed to be the voice of Vangelis' sound engineer, Keith Spencer-Allen.

 

Overview

"Pulstar" (supposedly a contraction of "pulsar" and "star") was to be the most popular track, building on a synthesizer pulse sequence, a trumpet main line and various other synthesizer brass lines. It ends with a recording of the speaking clock.

"Freefall" builds on a gamelan sequence, two flutes and a synthesizer line.

"Mare tranquilitatis" is a quiet synthesizer piece featuring recordings of several Apollo moon landings. Samples of this track can be heard on Enigma's album, The Cross of Changes (uncredited).

"Main sequence" is propelled by a pulsed synthesizer sequence, along which a trumpet- and drums-based jazz track develops. It calms down and flows into—

"Sword of Orion", built on an arpeggio chord, trumpet melody, and percussion.

On "Alpha", Vangelis employs a composing technique he would use extensively on later albums (e.g. Direct): a simple theme of a few bars is developed through increasingly complex instrumentation. Instruments include a slow synthesizer arpeggio, synthesizer mallet melody line, xylophone, percussion and (later) acoustic drums. It is a rather upbeat piece.

The "Nucleogenesis" suite conveys a somewhat darker mood, employing a church organ, an organ synthesizer pulse, various lines of Vangelis' patent synthesizer brass, acoustic drums and basses. Although hard to classify, the pieces appear to hold a ground between classical, blues and hard rock.

The title track, "Albedo 0.39" is an atmospheric track building on waxing and waning synthesizer chords and arpeggios, while a voice with a British accent narrates various physical properties of the Earth, such as its mass, length of the year in various measurements, and, finally, its albedo (amount of light reflected back into space).

"The Gate", the opening track of another Enigma album, The Screen Behind the Mirror, appears to have been inspired by this Vangelis piece.

Excerpts from "Pulstar" and "Alpha" can be heard on episodes of Carl Sagan's documentary series Cosmos, along with several other Vangelis themes. "Alpha" was used over animation illustrating evolutionary theory.

"Pulstar" was used as the theme music for a children's BBC television programme, "Horses Galore". It was also used as an early theme tune for ESPN's Sportscenter and ABS-CBN's news program TV Patrol. Pulstar is also the name of an arcade shoot 'em-up published by SNK in 1995.

 

Jahr: 1975

Album: Albedo 0.39

Artist: Vangelis

Recorded: Nemo Studios, London

Genre: New Age, Electronic

Grцsse: 57,7 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 42:30

 

Tracklist:

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1. "Pulstar" – 5:45

2. "Freefall" – 2:20

3. "Mare Tranquillitatis" – 1:45

4. "Main Sequence" – 8:15

5. "Sword of Orion" – 2:05

6. "Alpha" – 5:45

7. "Nucleogenesis (Part One)" – 6:15

8. "Nucleogenesis (Part Two)" – 5:50

9. "Albedo 0.39" – 4:30

 

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Albedo_0.39_1975_.rar - http://gigapeta.com/download/new/9829d63147

[Boriss]

16-Spiral

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Отдельные дорожки этого альбома (такие как «To The Unknown Man», «Dervish D» и заглавная дорожка «Spiral») стали классикой электронной музыки. Революционное звучание, отличные мелодии, насыщенная атмосфера и потрясающее исполнение делают этот альбом незабываемым.

 

Description:

Spiral is a 1977 album by the Greek artist Vangelis. The sleeve design was by Vangelis himself (mentioned on the cover). The recording engineer was Keith Spencer-Allen, assisted by Marlis Duncklau.

 

The album is entirely instrumental, apart from Vangelis' processed vocals on "Ballad" (one of the few occasions where his voice can be heard on his albums). Vangelis plays synthesizer, sequencers, electric piano, drums and percussion. It is the first album on which Vangelis used the Yamaha CS-80 synthesizer, on which he relied heavily in subsequent work.

 

Style

Spiral is a futuristic album, and Vangelis makes extensive use of the synthesizer technology of the day; this album is probably the most sequencer-based of his recording career. Each piece has a unique style, and deserves individual treatment.

"Spiral" builds on an arpeggio chord that is panned in stereo to give the listener a spiralling sensation; the piece continues along a sequenced synthesizer pulse and develops into a slightly black, somewhat bluesy piece that builds on Vangelis' patent brass.

"Ballad" is a calm piece, building on electric organ, harmonica (probably a synthesizer patch) and Vangelis' voice run through filters and a reverb. It climaxes on brass and timpani, then losing steam and returning to harmonica calm.

"Dervish D" is, according to the sleeve notes, "inspired by the Dervish dancer who by his whirling realises the spiralling of the universe". Musically, there is little that reminds one of Turkish music: a sequencer arpeggio base, percussion and synthesizer melody. The use of blue notes gives the piece a blues feel.

"To the Unknown Man" is a piece in three parts. It starts off minimalist with a slow pulse sequence and a simple guitar-like melody. Strings come in, and the piece progresses to the march-like second part. In the third part, the melody disappears, and is replaced with a rock beat and organ chords.

"3+3" is, true to its name, built entirely in threes. It consists of three parts, and although the measure changes several times, all parts are either 3/4 or 6/8 (although some appears to be 9/8). An elaborate 12/8 pulse sequence runs along the whole piece. The brass chords in the course of the piece resemble a true big band, no small feat with 1970s synthesizers. Of the album's tracks, this piece arguably has the most blues overtones.

 

Jahr: 1977

Album: Spiral

Artist: Vangelis

Recorded: Nemo Studios, London

Genre: New Age, Electronic

Grцsse: 54,1 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 39:25

 

Tracklist:

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Side A:

1. "Spiral" – 6:55

2. "Ballad" – 8:27

3. "Dervish D" – 5:21

 

Side B:

1. "To the Unknown Man" – 9:01

2. "3+3" – 9:43

 

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Spiral_1977_.rar - http://gigapeta.com/download/new/15833912c0

[Boriss]

17-Ignacio (Soundtrack)

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Еще одна работа 1975 года. Так же известна под именем «Can you hear the dogs barking?» и «Entends-tu les chiens aboyer?» в некоторых виниловых вариантах. Это саундтрек к мексиканскому фильму «No Oyes Ladrar Los Perros?» снятому французским режиссером Франкоисом Рейенбачом. В титрах Вангелис почему-то назван Vangiles Papathalnassiou.

Фильм рассказывает о бедном мексиканском крестьянине, который вынужден со смертельно больным сыном (Игнасио) пересечь страну, чтобы найти доктора. Жанровые зарисовки, истории и фантазии, о том как отец рассказывает сыну о том, какое у него потенциальное будущее, представляя его или музыкантом, или старостой деревни, или счастливым эмигрантом в большом городе.

Название альбома «Can you hear the dogs barking?» («Вы слышите лай собак?») перекликается с мексиканскими легендами о том, что раньше собаки могли говорить и если кто-то что-то украл или согрешил, они рассказывали об этом пострадавшему. А потом собаки стали плохо себя вести, были наказаны и теперь могут только лаять.

Альбом состоит из двух очень грустных, романтичных тем, появляющихся в различных формах, таких как, например, громовые пассажи на кафедральном органе (электронном) или импрессионистские удары перкуссии. Нежной игре на фортепиано и синтезаторах противопоставляются быстрые и более мрачные части. Очень разнообразный альбом, и все же очень последовательный.

 

Description:

Greek composer Vangelis is best known for the stunning film scores which adorn 'Blade Runner' and 'Chariots of Fire', for which he won Best Music Oscar. However, much of his best soundtrack work was done years earlier for obscure European Arthouse films and documentaries. IGNACIO is one of the these, and was previously available under the title 'Can You Hear the Dogs Barking?' This album presents the film score in the shape of two long, flowing pieces. They are dominated by Vangelis' superlative performance on grand piano, although his expertise at simulating an entire orchestra via electronicmore… instruments is also perfectly in evidence. Electronic music was still in its relative infancy at the time this score was written and recorded, but Vangelis' early 'pseudo-orchestra' remains particularly expressive. Moreover, the composer was at the height of his creativity, and the music itself is overwhelmingly beautiful. This is enough to overcome the basic nature of the recording. Moreover, there is a particularly emotional and evocative nature to this score which is somewhat lacking in the composer's later work, as it slowly became far more manufactured and self-consciously majestic. Part Two may lack the intensity and depth of Part One, and the production is even leaner, but if you enjoy the romantic grandeur that typified the work of the early Vangelis, then IGNACIO is about as good as it gets!

 

Jahr: 1977

Album: Ignacio (Soundtrack)

Artist: Vangelis

Recorded: Nemo Studios, London

Genre: New Age, Electronic, Soundtrack

Grцsse: 54,1 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 39:27

 

Tracklist:

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1. Ignacio - Tu Les Chiens Aboyer? (39:27)

 

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Ignacio_Soundtrack_1977_.rar - http://gigapeta.com/download/new/aa811aa145

[Boriss]

18-Beaubourg

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Экспрессионистская работа, состоящая исключительно из странных неземных звуков. Часто называется анти-коммерческой из за ее не очень доступной пониманию сути.

Название «Beaubourg» (произносится как «Бобур») взято от названия известной парижской выставки абстракционизма.

Альбом существует в двух вариантах. Первый, был плохо сремастирован и имеет плохое качество, которое было исправлено позже. К сожалению, первый вариант еще встречается в продаже.

 

Description:

Beaubourg is a 1978 album by the Greek artist Vangelis. It is entirely synthesizer-based and highly experimental; together with Hypothesis (also from 1978) it is often considered to be one of Vangelis' least accessible works. Invisible Connections (1985) is also often included in this category; however, as it was intended to be a work based on experimentalist classical music (released on the Deutsche Grammophon label) this view should be amended.

Beaubourg contains experimental, atonal and jazz elements, and even elements of musique concrete.

The album is meant to reflect life in the Beaubourg district of Paris, when Vangelis lived there in the early '70s. Beaubourg is a musical representation of the Centre Pompidou in Paris.

The music on this album was created largely on the Yamaha CS-80, the ring modulator of which he uses extensively.

The sleeve design of the album is by Vangelis himself. The recording engineer was Keith Spencer-Allen, who was assisted by Marlis Duncklau.

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Those listeners hoping for more of the anthemic strains of "Chariots Of Fire"--or even of his collaborations with Jon Anderson--will be disappointed here. Released relatively early in his career (1975), Beaubourg sees Vangelis at his most insular and experimental. Where most of his peers (Rick Wakeman, Keith Emerson, Patrick Moraz) were content simply to use their synthesisers much as they would an electric organ, or as a handy substitute for other acoustic instruments (horns, strings, etc.), Vangelis was attempting--under the influence, admittedly, of various European antecedents--to devise amore… musical language appropriate to the qualities of that particular instrument. Divided into two parts, the album now serves as a kind of primer to the mid-1970s analogue synth, in all its wheezy glory. Much of it is beautiful--albeit in a listless, ambient sort of way--and a little of it irritating. Still, one for completists.

 

Jahr: 1978

Album: Beaubourg

Artist: Vangelis

Recorded: Nemo Studios, London

Genre: New Age, Electronic, Soundtrack

Grцsse: 53,1 MB

Format | Bitrate: MP3 @ 192Kbps 44100Hz Stereo

LДNGE: 38:33

 

Tracklist:

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1. "Beaubourg, Part I" – 18:09

2. "Beaubourg, Part II" – 21:05

 

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Beaubourg_1978_.rar - http://gigapeta.com/download/new/7ee21f4899